Fan Video Working Bibliography

(created with Zotero 09-19-2019)

Ashley, D. E. 2010. “The Public as Creator and Infringer: Copyright Law Applied to the Creators of User-Generated Video Content.” Fordham Intell. Prop. Media & Ent. LJ 20 (2): 563–1419.

Aufderheide, Patricia, Peter Jaszi, and Elizabeth Nolan Brown. 2007. “The Good, The Bad and the Confusing: User-Generated Video Creators on Copyright.” Center for Social Media. http://cmsimpact.org/wp-content/uploads/2016/04/good_bad_confusing.pdf.

Beebe, Roger, and Jason Middleton. 2007. Medium Cool : Music Videos from Soundies to Cellphones. Durham, NC: Duke University Press.

Brown, Lyndsay. 2007. “‘ Learning How to See What Isn’t There Yet’: An Investigation of the Fan Music Video.” PhD Thesis, University of Florida. http://etd.fcla.edu/UF/UFE0020142/brown_l.pdf.

Burgess, J. 2008. “’All Your Chocolate Rain Are Belong to Us?’Viral Video, YouTube and the Dynamics of Participatory Culture.” Video Vortex Reader: Responses to YouTube, 101–109.

Burwell, Catherine. 2013. “The Pedagogical Potential of Video Remix.” Journal of Adolescent & Adult Literacy. https://doi.org/10.1002/JAAL.205.

———. 2015. “You Know You Love Me.” Feminist Media Studies 15 (2): 306–23. https://doi.org/10.1080/14680777.2014.919335.

Busse, Kristina. 2007. Vidding Intro via Imeem. http://kbusse.wordpress.com/2007/06/28/vidding-intro-via-imeem/.

Click, Melissa A., and Suzanne Scott. 2018. The Routledge Companion to Media Fandom. [Electronic Resource]. First edition. Routledge Media and Cultural Studies Companions. Taylor and Francis.

Close, Samantha. 2016. “Fannish masculinities in transition in anime music video fandom.” Transformative Works and Cultures 22. https://doi.org/10.3983/twc.2016.0713.

Colburn, Steven. 2015. “Filming Concerts for YouTube: Seeking Recognition in the Pursuit of Cultural Capital.” Popular Music & Society 38 (1): 59.

Coppa, Francesca. 2007. Celebrating Kandy Fong: Founder of Fannish Music Video. http://mediacommons.futureofthebook.org/imr/2007/11/19/celebrating-kandy-fong-founder-of-fannish-music-video.

———. 2008. “Women, ‘Star Trek,’ and the Early Development of Fannish Vidding.” Transformative Works and Cultures 1. https://doi.org/10.3983/twc.2008.044.

———. 2009a. “A Fannish Taxonomy of Hotness.” Cinema Journal 48 (4): 107–13. https://doi.org/10.1353/cj.0.0136.

———. 2009b. Vidding. ABC-CLIO, LLC.

———. 2011a. “Interview with Sandy and Rache (‘The Clucking Belles’).” Transformative Works and Cultures 6 (March). https://doi.org/10.3983/twc.2011.0242.

———. 2011b. “An Editing Room of One’s Own: Vidding as Women’s Work.” Camera Obscura 26 (77): 123–30. https://doi.org/10.1215/02705346-1301557.

Coppa, Francesca, and Rebecca Tushnet. 2011. “How to Suppress Women’s Remix.” Camera Obscura 26 (77): 131.

Corey Creekmur, Melanie Kohnen, Jonathan McIntosh, Lori Morimoto, Katherine Morrissey, Suzanne Scott, and Louisa Stein. 2017. “Roundtable: Remix and Videographic Criticism,” no. 4: 159. https://doi.org/10.1353/cj.2017.0044.

Counteragent. 2012. “Documenting the Vidders: A Conversation with Bradcpu.” Transformative Works and Cultures 9 (March). https://doi.org/10.3983/twc.2012.0423.

Creekmur, Corey, Melanie Kohnen, Jonathan McIntosh, Lori Morimoto, Katherine Morrissey, Suzanne Scott, and Louisa Stein. 2017. “Roundtable: Remix and Videographic Criticism.” Cinema Journal 56 (4): 159–184. https://doi.org/10.1353/cj.2017.0044.

Deaville, James. 2016. “Recut and Re-Tuned: Fan-Produced Parody Trailers.” Journal of Fandom Studies 4 (2): 209.

Feinman, Steven, and Neil Reiss. 2000. Thirty Frames Per Second: The Visionary Art of the Music Video. Boston, Massachusetts, U.S.A.: Harry N Abrams Inc.

Fraimow, Rebecca. 2014. “Preserving Digital Remix Video [Symposium].” Transformative Works and Cultures 17 (September). https://doi.org/10.3983/twc.2014.0549.

———. n.d. “Building Archives Of Our Own: Community Repositories for Digital Remix Video.”

Freund, Katharina. 2016a. “‘Fair Use Is Legal Use’: Copyright Negotiations and Strategies in the Fan-Vidding Community.” New Media & Society 18 (7): 1347–63. https://doi.org/10.1177/1461444814555952.

———. 2016b. “‘Fair Use Is Legal Use’: Copyright Negotiations and Strategies in the Fan-Vidding Community.” New Media & Society 18 (7): 1347–63. https://doi.org/10.1177/1461444814555952.

Genealogy of Vidding with Francesca Coppa – “24/7 a DIY Video Summit.” 2009. http://www.youtube.com/watch?v=aYdllH7jZxg&feature=youtube_gdata_player.

Hill, Logan. 2007a. “The Vidder: Luminosity Upgrades Fan Video.” New York Magazine, November. http://nymag.com/movies/features/videos/40622/.

Horwatt, Eli. 2010. “A Taxonomy of Digital Video Remixing: Contemporary Found Footage Practice on the Internet.” Scope: An Online Journal of Film and Tv Studies June (17). http://www.scope.nottingham.ac.uk/cultborr/chapter.php?id=8.

Itō, Mizuko. 2010. “The Rewards of Non–Commercial Production: Distinctions and Status in the Anime Music Video Scene.” First Monday 15 (5). https://doi.org/10.5210/fm.v15i5.2968.

Jenkins, Henry. 1992. “‘Layers of Meaning’: Fan Music Video and the Poetrics of Poaching.” In Textual Poachers. Routledge.

———. 2008a. Fan Vidding: A Labor Of Love (Part One). http://henryjenkins.org/2008/12/fanvidding.html.

———. 2008b. Fan Vidding: A Labor Of Love (Part Two). http://henryjenkins.org/2008/12/in_many_ways_the_emergence.html.

———. 2010a. Vidding Kung Fu Panda in China. http://henryjenkins.org/2010/03/vidding_kung_fu_panda_in_china.html.

———. 2010b. DIY Media 2010: Anime Music Videos (Part One). http://henryjenkins.org/2010/12/diy_media_2010_anime_music_vid.html.

———. 2010c. DIY Media 2010: Anime Music Videos (Part Three). http://henryjenkins.org/2010/12/diy_media_2010_anime_music_vid_2.html.

———. 2010d. DIY Media 2010: Anime Music Videos (Part Two). http://henryjenkins.org/2010/12/diy_media_2010_anime_music_vid_1.html.

Julie Levin Russo. 2009. “User-Penetrated Content: Fan Video in the Age of Convergence.” Cinema Journal 48 (4): 125–130. https://doi.org/10.1353/cj.0.0147.

Karpovich, A. I. 2007. “Reframing Fan Videos.” In Music, Sound and Multimedia: From the Live to the Virtual, 17–28.

Knobel, M., C. Lankshear, and M. Lewis. 2010. “AMV Remix: Do-It-Yourself Anime Music Videos.” DIY Media: Creating, Sharing and Learning with New Technologies. New York: Peter Lang, 205–230.

Kreisinger, Elisa. 2012. “Queer Video Remix and LGBTQ Online Communities [Multimedia].” Transformative Works and Cultures 9 (March). https://doi.org/10.3983/twc.2012.0395.

Kwon, Jungmin. 2015. “Queering Stars: Fan Play and Capital Appropriation in the Age of Digital Media.” Journal of Fandom Studies 3 (1): 95.

Lamerichs, N. 2008. “It’s a Small World after All: Metafictional Fan Videos on YouTube.” Cultures of Arts, Science and Technology 1 (1): 52–60.

Lamerichs, Nicolle. 2015. “The Remediation of the Fan Convention: Understanding the Emerging Genre of Cosplay Music Videos.” Transformative Works & Cultures 18 (January): 1.

Lashley, Mark C. 2012. “Lip Dubbing on YouTube: Participatory Culture and Cultural Globalization.” Transformative Works & Cultures 11 (September): 8.

Leduc, Martin. 2012a. “The Two-Source Illusion: How Vidding Practices Changed Jonathan McIntosh’s Political Remix Videos.” Transformative Works and Cultures 9 (March). https://doi.org/10.3983/twc.2012.0379.

———. 2012b. “The Two-Source Illusion: How Vidding Practices Changed Jonathan McIntosh’s Political Remix Videos.” Transformative Works and Cultures 9 (March). https://doi.org/10.3983/twc.2012.0379.

Leung, Yee-Man Janice. 2008. From Crowdsurfing to Crowdsourcing: User-Generated Concert Videos, YouTube.Com and the Practices of Music Fandom. http://NC2SY9RN9H.search.serialssolutions.com/?ctx_ver=Z39.88-2004&ctx_enc=info:ofi/enc:UTF-8&rfr_id=info:sid/ProQuest&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&rft.genre=unknown&rft.jtitle=ProQuest%20Dissertations%20and%20Theses&rft.atitle=From%20crowdsurfing%20to%20crowdsourcing:%20User-generated%20concert%20videos,%20YouTube.com%20and%20the%20practices%20of%20music%20fandom&rft.au=Leung,%20Yee-Man%20Janice&rft.date=2008&rft.volume=1&rft.issue=&rft.spage=1&rft.isbn=9780494387979.

Long, A. S. 2007. “Mashed Up Videos and Broken Down Copyright: Changing Copyright to Promote the First Amendment Values of Transformative Video.” Okla. L. Rev. 60: 317.

Lothian, Alexis. 2009. “Living in a Den of Thieves: Fan Video and Digital Challenges to Ownership.” Cinema Journal 48 (4): 130–130–136. https://doi.org/10.1353/cj.0.0152.

———. 2015. “A Different Kind of Love Song: Vidding Fandom’s Undercommons.” Cinema Journal, no. 3: 138.

———. 2018. “From Transformative Works to #transformDH: Digital Humanities as (Critical) Fandom.” American Quarterly 70 (3): 371.

Louttit, Chris. 2013. “Remixing Period Drama: The Fan Video and the Classic Novel Adaptation.” Adaptation. https://doi.org/10.1093/adaptation/apt005.

Lovink, G., and Rachel Somers Miles. 2011. “Video Vortex Reader II: Moving Images beyond YouTube.” Amsterdam: Institute for Networkcultures.

Lucia Tralli. 2013. “Fan Video Goes to the Movies: Movie-Vid, Vidding Community e Cinefilia.” Cinergie, no. 3: 190. https://doi.org/10.6092/issn.2280-9481/7431.

———. 2015. “‘Come Together’: A Fanvid Insight on Buffy the Vampire Slayer and Fandom.” Series. International Journal of Tv Serial Narratives, no. 1. https://doi.org/10.6092/issn.2421-454X/5114.

McIntosh, Jonathan. 2012. “A History of Subversive Remix Video before YouTube: Thirty Political Video Mashups Made between World War II and 2005 [Multimedia].” Transformative Works and Cultures 9 (March). https://doi.org/10.3983/twc.2012.0371.

Meneghelli, Donata. 2017. “Just Another Kiss: Narrative and Database in Fan Vidding 2.0.” Global Media Journal: Australian Edition 11 (1): 1.

Middleton, Kim. 2010. “Alternate Universes on Video: Ficvid and the Future of Narrative.” In Writing and the Digital Generation: Essays on New Media Rhetoric, 117–131. Jefferson, NC: McFarland.

———. 2012. “Remix Video and the Crisis of the Humanities.” Transformative Works and Cultures 9 (March). https://doi.org/10.3983/twc.2012.0349.

Milstein, Dana. 2007. “Case Study: Anime Music Videos.” In Music, Sound and Multimedia: From the Live to the Virtual, 29–47. Edinburgh: Edinburgh University Press.

Ming-Tsung Lee. 2015. “The Visuality, Embodiment and Gender Performance of Korean Pop: A Study on the Production, Consumption and Appropriation of the MVs of “Girls’ Generation”.” Mass Communication Research, no. 1: 37.

Mitchell, G., and A. Clarke. 2003. “Videogame Art: Remixing, Reworking and Other Interventions.” In Level Up Conference Proceedings. http://citeseerx.ist.psu.edu/viewdoc/download?doi=10.1.1.83.8755&rep=rep1&type=pdf.

Moskowitz, MarcL. 2014. “Seeing Sound: Perhaps Love , YouTube, and Hong Kong’s Cultural Convergence.” Visual Anthropology 27 (1/2): 149.

“Murder Husbands: Queerness, Violence & Cinematic History.” n.d. Vimeo. Accessed September 19, 2019. https://vimeo.com/162093687.

Muscar, Jaime A. 2006. “A Winner Is Who? Fair Use and the Online Distribution of Manga and Video Game Fan Translation.” Vanderbilt J. of Entertainment and Technology Law 9. http://law.vanderbilt.edu/publications/journal-entertainment-technology-law/archive/download.aspx?id=1694.

NavarroRemesal, Víctor. 2017. “Museums of Failure : Fans as Curators of ‘Bad’, Unreleased, and ‘Flopped’ Videogames.” In Fans and Videogames: Histories, Fandom, Archives. https://books.google.be/books?hl=en&lr=&id=IctBDgAAQBAJ&oi=fnd&pg=PT128&dq=%22Fans+and+Videogames%22&ots=NhDDbwTdk_&sig=UiEcXuq6ohDwrgMofM0L56X5qJg.

Ng, Eve. 2008a. “Reading the Romance of Fan Cultural Production: Music Videos of a Television Lesbian Couple.” Popular Communication: The International Journal of Media and Culture 6 (2): 103. https://doi.org/10.1080/15405700701746525.

Oh, Chuyun. 2015. “Queering Spectatorship in K-Pop: The Androgynous Male Dancing Body and Western Female Fandom.” Journal of Fandom Studies 3 (1): 59.

Oh, David C. 2017. “Black K-Pop Fan Videos and Polyculturalism.” Popular Communication 15 (4): 269.

Rasmussen Pennington, Diane. 2016. “‘The Most Passionate Cover I’ve Seen’: Emotional Information in Fan-Created U2 Music Videos.” Journal of Documentation 72 (3): 569–90. https://doi.org/10.1108/JD-07-2015-0086.

Roberts, Ian. 2012. “Genesis of the Digital Anime Music Video Scene, 1990–2001 [Multimedia].” Transformative Works and Cultures 9 (March). https://doi.org/10.3983/twc.2012.0365.

Russo, Julie Levin. 2017. “Femslash Goggles: Fan Vids with Commentary by Creators.” Transformative Works and Cultures 24 (June). https://doi.org/10.3983/twc.2017.01026.

Russo, Julie Levin, and Francesca Coppa. 2012. “Fan/Remix Video (a Remix) [Editorial].” Transformative Works and Cultures 9 (March). https://doi.org/10.3983/twc.2012.0431.

Sarkeesian, Anita. 2010. “Remixing Pop Culture” Event Videos. http://www.feministfrequency.com/2010/08/remixing-pop-culture-event-videos/.

Shannon, Tashery. 1993. “Move Over, MTV! Here Come the Song Vids! Fan Music Videos.” Strange New Worlds, no. 9 (October). http://web.archive.org/web/20080215174645/http://www.strangenewworlds.com/issues/feature-09f.html.

Sound and Vision: The Music Video Reader. 1993. London: Routledge.

Springall, Dana. 2004. “Popular Music Meets Japanese Cartoons: A History of the Evolution of Anime Music Videos.” PhD Thesis, Birmingham, Ala.: Samford University.

Stein, Louisa. 2014. “Vidding: Remix as Affective Media Literacy.” Intermédialités : Histoire et Théorie Des Arts, Des Lettres et Des Techniques / Intermediality: History and Theory of the Arts, Literature and Technologies, no. 23. https://doi.org/10.7202/1033338ar.

Stein, Louisa Ellen. 2010. “‘What You Don’t Know’: ‘Supernatural’ Fan Vids and Millennial Theology.” Transformative Works and Cultures 4 (March). https://doi.org/10.3983/twc.2010.0192.

Swan, Anna Lee. 2018. “Transnational Identities and Feeling in Fandom: Place and Embodiment in K-Pop Fan Reaction Videos.” Communication, Culture & Critique 11 (4): 548.

Tisha Turk. 2016. “Transformation in a New Key: Music in Vids and Vidding,” no. 2: 163.

Turk, Tisha, and Joshua Johnson. 2012. “Toward an Ecology of Vidding.” Transformative Works and Cultures 9 (March). https://doi.org/10.3983/twc.2012.0326.

Vellar, Agnese. 2012. “Spreading the Cult Body on YouTube: A Case Study of ‘Telephone’ Derivative Videos.” Transformative Works and Cultures 9 (March). https://doi.org/1941-2258.

Wagner-Kaiser, Jeremy. 2005. “Web Riders on the Storm: Anime Music Videos, Aesthetics, and Copyright.”

Walker, Jesse. 2008. “Remixing Television: Francesca Coppa on the Vidding Underground.” Reason Magazine August/September. http://reason.com/archives/2008/07/18/remixing-television.

Winters, Sarah Fiona. 2012. “Vidding and the Perversity of Critical Pleasure: Sex, Violence, and Voyeurism in ‘Closer’ and ‘On the Prowl.’” Transformative Works and Cultures 9 (March). https://doi.org/10.3983/twc.2012.0292.